At the core of this collection is a free-spirited exploration of personality seen through a multicultural lens and played out at the intersection of streetwear, leisurewear, and expressive tailoring. It dances to a steel pan beat, elevated by a distinctive Caribbean colour palette that references flora and fauna of Cooper's native Trinidad, as well as the varied Hindu and African ceremonies the designer attended as a child growing up In the islands.

The collection is also a love letter to the style of the Windrush generation (the first set of Caribbean immigrants invited to the UK in 1948, 75 years ago), which Cooper researched deeply, and was inspired by how the men who suddenly found themselves in a new and colder environment, evolved their looks with elements of the 50s and 60s London fashion.

From the knitwear - all handmade by female crocheters and knitters in the Caribbean, inspired by materials found in local fishing villages  - to the classic tailored shapes on suits to jazzed-up denim twinsets, the collection has a playful carnival energy throughout. In outerwear, "rough around the edges" was the intention; bomber jackets feature Sagaboi's signature distressed steel pan quilting and rough island stitchwork. Cooper's sartorial serving offered double-breasted suits: a cropped admiral 2-button and a classic 6-button. Kilts were offered in leather and deeply textured wools while slogan tees beamed with West Indian colloquial terms and vernacular ("Big Big Tings"). The collection's colours were a sweet dance between idyllic reds, blues, oranges and mint - all grounded by black, brown and white.